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The Sonic Communications
Research Group
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Dean, R. T. (2003). Hyperimprovisation: Computer Interactive Sound Improvisation; research book with CD(R) of sound works, intermedia, and performance software patches. Middleton, WI, USA, A-R Editions. pp. 203 |
Smith, H. and R. T. Dean (2003). Voicescapes and Sonic Structures in the Creation of Sound Technodrama. Performance Research 8(1): 112-123. |
Stevens, C., Malloch, S., McKechnie, S., & Steven, N. (2003). Choreographic cognition: The time-course and phenomenology of creating a dance. Pragmatics & Cognition, 11, 299-329. |
Stevens, C., Lees, N., & Vonwiller, J. (2003). Experimental tools to evaluate intelligibility of text-to-speech (TTS) synthesis: Effects of voice gender and signal quality. Proceedings of Eurospeech 2003: 8th European Conference on Speech Communication & Technology. Geneva: ISCA. |
Brennan, D., & Stevens, C. (2002). Specialist musical training and the octave illusion: Analytical listening and veridical perception by pipe organists. Acta Psychologica, 109(3), 301-314. |
Dean, R. T. (2002). Creative arts, creative research and the politics of new media. Southern Review 35(3): 10-22. |
Smith, H. and R. T. Dean (2002). The Egg The Cart The Horse The Chicken: Cyberwriting, Sound, Intermedia. Interactive Multimedia Electronic Journal of Computer Enhanced Learning 4(1): imej. wfu. edu/ articles/ 2002/ 1/index.asp. |
Stevens, C., Burnham, D., McPherson, G., Schubert, E., & Renwick, J. (Eds.) (2002). Proceedings of the 7th International Conference on Music Perception & Cognition. Adelaide: Causal Publishers. ISBN: 1876346396 |
Stevens, C., & Keller, P. (2001). Detecting contour in short spoken and musical items: A comparison of speakers from tonal and non-tonal languages. Journal of Music Perception and Cognition, 7(2), 133-43. |
for more details of Dean’s and Whitelaw’s
publications,
see the University of Canberra expertise database, via www.canberra.edu.au,
for more details of Smith and Dean’s publications and their creative output,
see www.australysis.com,
for more details of Kate Stevens’ work,
see her home page
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Last Updated on June 10, 2004